From what I remember of
Nigerian television in my own world, we used to keep a date with the NTA
on my Grandfather’s massive TV set (the one with the sliding doors) and of
course we would switch it on like way before the startup time of 4pm and
sometimes sit there watching those coloured vertical lines with that high
pitched tone that goes on in the background. Sesame Street was every kid’s
delight then (the ones who had access to TV anyway) and I was not an exception.
In addition to that was my weekly dosage of “Tales by Moonlight” on Sunday
evenings, with that lovely lady who sits
kids down and tells them stories(I can’t believe I haven’t found her name out
till now). And yes, I remember the story telling programmers anchored by Jimi
Solanke on weekdays. My then lovely NTA Kaduna had programmes I loved, like the
series “Wisdom is an asset”(Magana jari
che in Hausa) featuring Mallam
Kassimu Yero. I have so many others I cant really recollect, but for me those
were the glory years of Nigerian Television (not like I had access to the
foreign media then anyways).
I wonder why I enjoyed Nigerian Television then, and I ask
myself if it was a case of “when the desirable is unavailable, the available
becomes desirable”. Or was it just that as a child I didn’t really have a
choice as to quality. Its actually hard for me to conclude on that as I cannot
remember the value system of the 4 year old me. I remember I used to also
enjoy(?) watching Indian movies, and could go with a Chinese movie till the
final credits start to show up, but I doubt if I can sit to watch 5 minutes of
any of those now. Well, maybe I know better now.
Growing older brought me in contact with the VCR and the
world of foreign movies. I remember that all we knew about a foreign movie then
was the shooting, and the “actor” (protagonist) having the “last fight” with
the “boss”(antagonist) and of course the ‘boss’ getting killed and the ‘actor’
coming to kiss that babe the ‘boss’ was holding for ransom before that scene.
Don’t blame my outlook then on the
little kid, rather blame it on Roger Moore, Sean Connery and Pierce Brosnan who allowed themselves to be used in acting
out the ‘007’ legend for me to watch. I guess my exposure to the foreign media
made me to take stand on my desires in a movie, and I would say I had a
falling-out with the Nigerian movie industry, popularly called Nollywood.
I have my personal philosophy as to what a movie should do
to the audience, and I think any movie should do at least two of the three things
I believe a movie should do. I believe a movie should entertain, educate and
inform.
For a movie to entertain, it certainly has to have the comic
effect that brings smiles to my face, and I remember getting so much doses of
that from the “Charlie, Charlie” (Charlie Chaplin) series on NTA. Of course
there are movies solely designed for the comical purpose, but I believe that
this effect can be incorporated in movies that do not have the comical theme.
I know that I have learnt things from movies I wouldn’t have
known from school or from reading books. Movies have whet my interest in
certain world events and thus driven me to make research about them. I remember
how movies like “Escape from Sobibor” and “Nuremberg” drove me to make some
personal research on WWII and on the man Adolph Hitler.
Even though a movie is not expected to always be about
current affairs, or a substitute to the daily news, I believe that a movie can
inform. Movies based on true events, or adaptations from true events can inform
the uninformed on some renowned subject matter. Maybe that’s why I don’t enjoy
Sci-fi and other inanimate movies, I can hardly relate to them or get informed
in any way.
I ask myself if I am biased against Nollywood, or maybe I
just have this notion that anything that comes from Nollywood is bad.But then I
realize that I have had cause to trash some American movies for their poor
production standards. And oh yes, I have seen a few (the functional word here
been few) movies made in Nigeria that have caught my interest. I have always
loved the productions from Mr Tunde Kelani of the Mainframe Productions.
Where does one draw the line between patriotism and placing
a high demand on quality? I know I wouldn’t place a price on a good Nigerian
movie production because I have this sense of collective achievement when I see
a high quality production from the stables of my Nigerian brothers. I am
particular about some things in my world, and sometimes when I am forced to
watch some Nigerian productions, I spend most of the time criticizing the work
so much so that I lose taste of the whole thing. I sometimes wonder if some of
our producers/directors assume that the people watching their movies are daft
or stupid. Some presentations can be so bereft of initiative and originality. I
once saw a Nigerian movie that I would call a slapstick presentation of the
play “Wedlock of the gods” by Zulu Sofola. I felt like crying not just because
it was so glaring a case of plagiarism, but the fact that I had taken part in
acting out that play while I was in secondary school. When would our Nigerian
producers understand that a good production would always speak for itself, and
that we deserve way more than the vermin they serve to us in the name of
movies? You think am harsh in qualifying their products as vermin, then wait
till you have sampled the mindset of majority of the ones who are die hard
Nigerian movie audiences. I do not subscribe to Nigerians having the American
mindset because I don’t myself, but I believe that we deserve to have a qualitative
mindset in our own Nigerian way.
I am not a movie freak, but I have had quite a number of
memorable encounters in my world of movies, and I believe that